Performances by Archie Carey, Andrew Tholl, Stephanie Cheng Smith, and Odeya Nini

Performances by Carolyn Pennypacker Riggs & Stephanie Cheng Smith

Performing with my cicadas instrument and dark energy synthesizer.

FCK82 makes their first IRL appearance EVER with a screening of a 45-minute-long set created originally for the SPIEL! Games as Critical Practice conference held in Basel, Switzerland earlier this year.

Presented by Die Hochschule für Musik FHNW in Basel: Diskussion & Performance - Lounge Game, Round 5: The Triumphant Return of The Ensemble

• The Ensemble Whose Name is Uhhhhhmm…
• Dicky Bahto, Pluto Bell, Morgan Gerstmar, Stephanie Cheng Smith,
• Theresa Beyer (Moderation)
• Theater Basel, Foyer Public

The Hub: John Bischoff, Chris Brown, Scot Gresham-Lancaster, Matt Ingalls, Tim Perkis, Phil Stone — networked computers

Bitpanic: Casey Anderson, Scott Cazan, Clay Chaplin, David Paha, Stephanie Smith — electronics

Bitpanic: Casey Anderson, Scott Cazan, Clay Chaplin, David Paha, Stephanie Cheng Smith - computers and synthesizers

All tracks are free improvisations recorded remotely during 2021. Bitpanic members were located in Stockholm, Chicago, and Los Angeles and recorded live online via networked audio software.

Mark Trayle's Pins & Splits (Anderson, Smith)
Duo (Anderson, Smith)
Qartet (Anderson, Hutson, Shiroishi, Smith)

This event is part of the wulf.'s second Open Source electronic music series. Made possible in part by donations from the DCA Los Angeles.

Premieres by Stephanie Smith, Cassia Streb, Sepand Shahab, Eric Heep, and John Eagle for the 8 channel modular sound system of Sound House, a collaborative project by Janie Geiser, John Eagle & Cassia Streb

Part of Dog Star Orchestra 14

Recently performed/installed my crickets piece at Angel City Brewery as part of an art opening: In Your Face - How Artists Transformed LA's Urban Landscape.

And thank you Casey Anderson for documenting three seconds of this on Vine.

Crickets is a derivative of a larger work, When On The Shore, which premiered in April 2011.

Performing at Beyond Baroque with Mark Trayle, et al.

From the Beyond Baroque website: CalArts’ electronic guru, MARK TRAYLE performs solo and with an ensemble, recreating the famous electronic HUB network, which grew out of The League of Automatic Music Composers.

Special Admission: General $20, Students & Seniors $10, Members $5.

Mark Trayle's Phantom Rooms is a composition that maps room acoustics with a network of laptops and other instruments. The musicians exchange these maps over the network, so that rooms appear in other rooms as acoustic phantoms, their resonant frequencies disturbing the acoustics of the rooms they haunt.

With Casey Thomas Anderson (laptop/saxophone), Matt Barbier (trombone), Stephanie Smith (laptop/violin), Ashley Walters (cello), and Mark Trayle (laptop). This is the U.S. premiere of Phantom Rooms.

Admission: $15 regular, $10 students, free for Museum members.